TAX YOUR VAN NUMBER 2 OUT NOW
50 copies of Tax Your Van issue 2 have been printed and distributed in a number of locations throughout the city of leicester. I would tell you where but it would take the fun out of it really.
DANIEL KELLY - BATHROOM
Electrical tape on paper, 594 x 841mm
Electrical tape on paper, 594 x 841mm
ROBIN WRIGHT - UNTITLED (2009)
Digital Photograph
Digital Photograph
PAUL WILLIAMS - WASH YOUR SAUSAGE ELSEWHERE
the mysteries of sharing a flat & the bizarre actions of the flat mate.
JACK SQUIRES - PHOTOGRAM #'s 12 & 17
each 5" x 7"
Red ink creates ethereal shapes, captured by light for a fraction of time, only to disappear forever seconds later into the inky blackness. The work represents Creation, Collision and Extinction. They could be the ghostly path of smoke from a recently extinguished candle, a drop of blood in shark infested water, calm and fluid before the frenzy, they could be events created by particles so tiny and so fast they could hardly have been said to have occurred at all, or equally, they could be incomprehensible, cataclysmic nebulae, explosions so big light takes hundreds of years to cross them, and their light takes thousands of years to reach us, so that all we ever see of them is their photographs. All of these images are frighteningly similar, are the differences between micro and macro so great? or is there a chance that the Hubble telescope and the Hadron Collider are simultaneously looking at the same thing?
NUSH WROBLEWSKI - SAD TOILET
Marker Pen on Fabriano
EMILY WARREN - PLAYING CATCH
Still from Wireless Digital Video
the mysteries of sharing a flat & the bizarre actions of the flat mate.
JACK SQUIRES - PHOTOGRAM #'s 12 & 17each 5" x 7"
Red ink creates ethereal shapes, captured by light for a fraction of time, only to disappear forever seconds later into the inky blackness. The work represents Creation, Collision and Extinction. They could be the ghostly path of smoke from a recently extinguished candle, a drop of blood in shark infested water, calm and fluid before the frenzy, they could be events created by particles so tiny and so fast they could hardly have been said to have occurred at all, or equally, they could be incomprehensible, cataclysmic nebulae, explosions so big light takes hundreds of years to cross them, and their light takes thousands of years to reach us, so that all we ever see of them is their photographs. All of these images are frighteningly similar, are the differences between micro and macro so great? or is there a chance that the Hubble telescope and the Hadron Collider are simultaneously looking at the same thing?
NUSH WROBLEWSKI - SAD TOILETMarker Pen on Fabriano
EMILY WARREN - PLAYING CATCH
Still from Wireless Digital Video
